You know you’re in trouble when . . .

you’ve blogged all your recipes.

Tonight, I made Chicken Kiev, focaccia, steamed broccoli, and creme brulee. I have no idea what to blog about, since my usual recourse (when stumped) is to post a recipe.

Unless . . .

Steamed Broccoli

Rinse broccoli and trim off the big fat stalk. Trim it down to individual florettes. Place in the top of your steamer.

Put steamer over boiling water, cover, and steam for five minutes.

Place thin slices of butter over the broccoli, add salt and pepper, toss, and serve.

***

How lame is that?

I’ll make it up to you. I’m going live, so if you’re around in the next hour or two, come ’round and say hi. Hopefully tomorrow I’ll have more for you than goose eggs.

D.

, March 10, 2007. Category: Food.

You, too, can be an art critic

Art Crit is an interesting concept blog:

Art Crit was created as a forum for artists to share their work and get some feedback on it from other artists as well as the casual passerby. Most artists have spent considerable time gazing, interpreting, being with art and have a lot of valuable feedback to give one another. Thus, their thoughts are welcome and appreciated. There is also a great value in the thoughts of those who haven’t inhabited the typical constructs of artists, perhaps these folks can think outside the box and share their ideas. In any event, everyone is encouraged to participate at Art Crit. Let us know your reaction to a given piece, what comes to mind, there’s no right way to share your thoughts.

My friend Kenney Mencher has posted a painting to Art Crit and he wants feedback. Go, look, comment. And while you’re at it, check out some of Art Crit’s other posts, too.

Here’s something else: Kenney has a VERY different take on blogging.

D.

Thirteen tools of my trade

Now with Linky Lurveâ„¢!

I don’t think it’s my imagination that I’m not posting as frenetically as usual. Work seems to be nastier lately, and some evenings I have little more than patients on my mind. I suppose this explains today’s Thirteen. An image-intensive (and tardy) thirteen . . . below the cut.

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Ann Coulter, laugh riot

Last night’s South Park episode had something to do with white people who (accidentally or not) blurt out the N-word, but the satire was unfocused, almost as if Parker and Stone couldn’t figure out how they felt about the issue. But a similar drama is playing out in real life, with the current flap over Ann “Faggot” Coulter. Life has beaten art to the point, friends, and beaten it to a pulp. How can Parker and Stone compete with this?

If you are familiar with Cpl. Matt Sanchez, you probably know him as the handsome 36-year old Columbia University junior and USMC reservist who recently made the rounds of right-wing talk shows like O’Reilly Factor and Hannity & Colmes, where he received praise for coming forward and complaining about his treatment at the hands of Columbia’s “radical anti-military students” who called him names and mocked his military service. Sanchez was then feted at the CPAC conference where Ann Coulter made her “faggot” remark. Sanchez wrote an op-ed piece on the Columbia experience for the NY Post and began a blog and MySpace page chronicling his media exposure.

Now, if you’re like me, you might think, “Hmm, 36 years old and he’s a junior in college and only a corporal in the Marines?” Odd, but not totally implausible. But Sanchez’ face tinkled a few gay bells out there in fairyland, and last night I began to get emails letting me know that his rather late appearance on the Ivy League scene was because Sanchez has had a lengthy career in gay porn, working under the names Rod Majors (NSFW) and Pierre LaBranche, starring in such art films as Jawbreaker, Donkey Dick, and Glory Holes Of Fame 3, where his “11-inch uncut monster cock” earned him a devoted following.

Now, porn stars are entitled to enter the miliary, although Sanchez obviously had to do it on the downlow. Porn stars are entitled to have a right-wing ideology, even though the very people he supports would love to see gay porn stars strung up by the nuts. (Wait, have I seen that movie?) But, Oh.The.Irony. of Sanchez appearing with Bill O’Reilly who only a couple of days went apoplectic over San Francisco’s “Colt Studio Day.” And OH, the irony of Ann “Faggot” Coulter happily posing with Sanchez for a photo-op. The right-wing has gobbled this porn hunk up with a spoon, never knowing that tons of men have gobbled up his monster cock ON FILM. I love it, I love it, I love it.

The rest of Joe’s post is every bit as delicious. Read it. And while you’re at it, Andrew Sullivan’s column in The Atlantic does a fair job skewering Coulter, too. As for me, I would rather take the low road. Remember this?

Will I eke out a Thirteen today? I hope so. Stay tuned.

D.

Work, part III

I’m between cases right now. I’ll update this throughout the day, time permitting. (Updated x 3, pic added.)

***

I’m asking myself whether grad school was work or not. For all I produced in the lab, I might as well have been making widgets. But even that’s a bad analogy, because whatever widgets are, someone must need them or else widget factories wouldn’t make them, right? Or do widgets exist solely to provide examples for intro economics textbooks?

Hundreds of hours in the lab for nothing. For “results” that didn’t advance the forefront of science a single micron. What a waste! But at least I earned tuition credits, made a few good friends, and could pretend, at least for a little while, that I was a scientist.

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Following in Blue Gal’s footsteps

Footsteps. I can’t use that word without thinking of Kenneth Mars’s line from Young Frankenstein, “Bootshteps, bootshteps!”

Blue Gal sent me and I followed: read Robust McManlyPants’s mini-rant on the horror of Parents Using the Internet.

My parents don’t email me. They forward damn near everything to me: racist jokes, rightwing diatribes, pyramid schemes, chain-emails, pro-Israel screeds. And they’re not racists, wingnuts, idiots, or blind supporters of Israel. I wonder if my dad even reads these things before he hits the forward button.

Don’t get me wrong. I don’t mind if you folks send me funny emails . . . and in fact, if they’re good enough, I might even immortalize them on their very own page, as I did with Lyvvie’s email. Now, that’s a funny email.

D.

PS: the very demented and pregnant Michelle is having a book giveaway for Succubus Blues. Check it out.

Grrrr followup question

And now I’m curious about memoirs and eager to read someone with more insight and honesty than Frank McCourt. Any suggestions?

I haven’t read many autobiographies. Bette Davis, Benvenuto Cellini, that’s about it (how’s that for a pair?) I think I can sling the memoirist BS fairly well, but I’m sure I have a lot to learn from the masters.

So . . . who are the masters?

D.

Grrrrr

I enjoyed Angela’s Ashes so much that I bought the sequel, ‘Tis, as fast as I could. ‘Tis is the second book of Frank McCourt’s memoirs, and it’s as compelling as Angela’s Ashes — or at least it is in the first half. But as the ending approaches, I find myself getting tremendously pissed off at McCourt.

Spoiler alert.

Folks familiar with the story (either the book or the movie) know that McCourt’s father, a good man when sober, was rarely sober. When his children were young, he left his family to live a drunkard’s life in London.

I don’t mind so much that Frank McCourt falls into much the same trap; what I do mind is his lack of honesty. Or, rather, the inconsistency of his honesty. Sometimes, he’s so unflinchingly honest you want to kick his teeth in, he’s been such a heel. But when he talks about the breakdown of his first marriage and how he left his wife and young daughter (a week before her eighth birthday), I see a man who refuses to take full responsibility, choosing instead such meaningless lies as

The old Irish had told me, and my mother had warned me, Stick with your own. Marry your own. The devil you know is better than the devil you don’t know.

. . . the bullshit a man tells himself when he’s trying to come up with excuses. Earlier, referring to his wife, Alberta,

She’d want to go antiquing along Atlantic Avenue and I’d want to chat with Sam Colton in his Montague Street bookshop or have a beer at the Blarney Rose with Yonk Kling.

By this time in ‘Tis, McCourt has given us many examples of his alcoholic binges. He spends his Friday evenings drinking with his teacher friends, standing up Alberta for their dinner dates, at first calling her drunk, later not calling her at all; so we’re left to imagine, at this point, precisely how often McCourt has indulged in beers at the Blarney Rose. We’re left to imagine it because this is one of the few times where McCourt doesn’t confess to the full truth.

I gather McCourt has made peace with his daughter, since he dedicates the book to her, but Alberta is conspicuously absent from the dedication and acknowledgments. Am I imagining hostility? I don’t think so. It saddens me to see this man whom I have come to admire through his writing turn out to be such an utter shit to his family and not even have the courage to fully accept his roll in the debacle. When the moment finally comes, he separates himself from his actions as much as one can with the written word:

Around her eighth year she announced, Look, Dad, I want to go to school with my friends. Of course, she was pulling away, going independent, saving herself. She must have known her family was disintegrating, that her father would soon leave forever as his father had long ago and I left for good a week before her eighth birthday.

If he makes good, I don’t see it in the few pages which follow.

I bought McCourt’s most recent memoir, Teacher Man, but I presume it focuses on his experiences in education. I’m not sure what I’m looking for here. Honesty? Penance?

Grrrr.

D.

If only I could commit this lesson to memory

Profound insight on the writing process in just a moment. Bear with me.

We had fine weather this weekend, so yesterday, I took my son to the beach. Didn’t get much any writing done, so I came home feeling guilty as usual. (Yes, yes, we’re supposed to feel guilty for neglecting our children in favor of the muse. But I’m Jewish. We feel guilty no matter what we do.) I had taken Jake to a Mexican restaurant where they had nothing for me to drink but ice tea. Great — now I felt guilty and wired.

Figuring I wouldn’t be able to get to sleep otherwise, I took a whole Benadryl at bedtime, twice my usual dosage. I still had a hard time getting to sleep, and when I woke up, I had that icky Benadryl hangover. Two cups of strong coffee barely touched it.

I could have vegged out all day.

I could have gone on a cooking frenzy.

Instead, I opened my manuscript for the first time in a month, reread my last scene, fiddled with it, backed up a scene, fiddled with that, and before I knew it I was adding scenes. Here I am feeling crappy, dead to the world, and I managed 1500 words. Decent words, too.

So. Fatigue is no excuse. Illness is no excuse. If you have fingers, you can write — no matter what. There is no excuse.

Let’s see if I can remember that.

D.

V redux

I had meant to write about my brief encounter, as a med student, with the world of episiotomies and morning-after crotch checks, but I can’t. I just can’t.

Cinemax aired V for Vendetta tonight. I hadn’t seen it since it first played in our local theater one year ago, and I have to tell you, it still blows me away. So, instead of dishing out some memoirist BS for your entertainment, I invite you to revisit the post I wrote last year. Click on the V.

Better yet, rent the DVD.

D.