Let’s make it fun. I give you the quote, you name the movie. I’ll list the answers in the comments. Here we go . . . easy ones first. Extra points if you can name the characters.
1. Leave the gun, take the cannolis.
2. Great balls of fire. Don’t bother me anymore, and don’t call me sugar.
3. Yo, she-bitch! Let’s go! (Hint: Shop smart. Shop S-mart.)
4. Mom, Dad! Don’t touch it! It’s evil!
5. I’ve seen the EXORCIST ABOUT A HUNDRED AND SIXTY-SEVEN TIMES, AND IT KEEPS GETTING FUNNIER EVERY SINGLE TIME I SEE IT!
6. Q: If you’re the Devil, why don’t you make the straps disappear? A: That’s much too vulgar a display of power . . .
7. Hallo. Vould you like a roll in ze hay? (Hint: What knockers!)
8. Q: If you wanted to prove your side was right, Gabriel, so badly, why didn’t you just ask Him? Why didn’t you ask God? A: Because He doesn’t talk to me anymore.
9. I can’t believe I have a bunch of dead people watching videos in my living room.
10. I ain’t Jewish, I just don’t dig on swine, that’s all.
Can you do that one without a hint?
No?
Hint: I love you, Honey Bunny.
11. I’m your sister, I’m your sister!
12. My mom’s been fuckin’ a dead guy for 30 years. I call him dad.
13. No tears, please. It’s a waste of good suffering.
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Pat’s got triskadekaphilia. A shot of penicillin should fix that.
Thirteen great Doug Adams quotes from Darla. It’s Towel Day!
Trish’s son: a typical male.
Scarlett’s gonna get callouses if she goes to half these places.
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D.
Alan writes:
How does one drive traffic to a blog? I started mine to keep the folks back in the ‘old country’ up to date with my tomfoolery in San Diego. Now I’m hooked on Blogging. I really enjoy the comments more than the hits. I see some blogs with loads of comments. How does it happen?
My response, over at his place:
Hi, Alan. You were asking (over at my place) about increasing blog traffic. Here’s a must read article: Don’t Dump That Weblog! by one of my favorite bloggers, Paperback Writer. She wrote this article with author/writer-bloggers in mind, but she gives good solid advice which applies to everyone.
I think you have to ask yourself: why are you blogging, and why do you want to increase traffic? For us author-wannabes, the answer is simple: (A) networking with other writers, published and unpublished alike; (B) developing a potential fan base of folks who will not only buy our books but hype them on their blogs*. For folks like me who live in the boonies and can’t make it to conventions, blogging is indispensable.
If you’re blogging for the same reason that folks used to write to pen-pals (i.e., to make friends with people around the world), then keep doing what you’re doing. Offer a bit of yourself on each post and folks will respond to that. Post regularly. I enjoy your posts about the restaurant biz — I think of this as a Kitchen Confidential kinda blog.
On the other hand, if you’re solely interested in boosting traffic and you don’t care what kind of traffic you get, the answer is easy. Post nude photos. And that’s another thing — use sexual keywords. The mere act of writing ‘nude photos’ in close proximity to ’sexual’ will (once the search engines find this post) generate more traffic. It’s a funny thing, but different words work for different people. One of my pals told me that the words tantric sex drove a lot of people to her site. I tried it, and got bupkes. Different strokes, I guess.
*And (C) practice! If I didn’t blog, creative writing would become a weekend-only affair. Not good for discipline. Now, if only I could be even MORE disciplined, disciplined enough, say, to work on my manuscript during the week . . .
Naaaaah.
More below the cut.
. . . this?
Someone named ‘Apparel’ lifts content from other blogs (like mine), links to those blogs, but puts the material under his byline. On initial inspection, there’s no obvious advertisement on the site. But then I highlighted the invisible stuff after “powered by,” and it turns out this site links to golfnewsworld.com.
Strange, huh? Is this some sort of device to boost golfnewsworld’s Google ranking?
***
Blog traffic is way up today. As far as I can tell, people are searching Google and Yahoo like crazy, but not for any particular thing. That means everyone’s blog traffic should be up tonight. Is it?
***
More later this evening. I’m working on a piece about surgical internship, mostly to remind myself I’m being a wussy* for complaining about my work load.
D.
*Cross between a wimp and a pussy. I tend to assume people know that, but they often don’t.
Reptiles Magazine has an awesome cover critter this month: an adult male veiled chameleon in full display, with a baby veiled climbing on his casque. I couldn’t find the photo at the Reptiles Magazine website, so I pinched this photo from sell.com, where someone is selling baby veiled chameleons for $39 (a decent price).
This bad boy is in full aggressive display. You can tell by the black highlights, the vivid colors, and the jutting chin. His mouth is either gaping or about to gape. What pissed him off? Chances are, another male veiled. Chameleons are, to my knowledge, unique in the degree to which they despise one another. Even as tots, they will put on a vigorous show of aggression and, yes, fight each other.
In the 90s, Karen tried to raise veiled chameleons and a few other species as well. Turns out it’s easy to get them to breed. That’s the one time two adults won’t fight one another. Nevertheless, in veiled chameleons mating is not the sedate, ritualized act the nature programs would have you believe. Think Rhett raping Scarlet, with Scarlet raping Rhett right back, and you’ll have some idea of the excitement of a C. calyptratus mating.
Yes, they’ll breed and lay eggs readily enough, but getting the eggs to hatch, that’s a bitch. Even with a professional incubator, our yield rarely exceeded 10%. Not our most successful business venture, but much more fun than cleaning earwax.
Art Spiegelman (you probably know him best as the creator of Maus) has crafted a great cover for the June 2006 issue of Harper’s Magazine. Once again, I tried finding a copy of the cover at the Harper’s website, but they’re still stuck in May mode. The cover is a cartoon showing eight stereotypical images: a black Sambo, a greedy, big-nosed Jew, a bucktoothed Asian, and so forth. Spiegelman’s article deals with the notorious Danish cartoons — and, yes, Harper’s Magazine has chosen to reprint them in full.
Spiegelman has written a brilliant piece on the history of political cartooning, and he caps it off with his critique of Danish cartoons. He rates them with a one-to-four fatwa bomb scale, a nice touch. I enjoyed his insights, and besides, any essay which pops effortlessly from South Park to Al Jazeera deserves a shout.
Also in this issue of Harper’s, novelist Kevin Baker gives us a long but meaty essay, “Stabbed in the Back,” which serves both as history and exposition of present day Republican tactics. His premise: Republicans, like post-WWI Germans, have opportunistically seized on the meme of the backstab, the betrayal by one who is close at hand. His commentary on WWII, Korea, Douglas MacArthur, and the Vietnam War was an eye-opener for Karen and me. I’m not sure I agree with his final conclusions regarding the Administration’s inevitable failure to make the same meme work vis-a-vis Iraq, but his analysis is certainly unique.
Most provocative of all is Ben Metcalf’s notebook entry, “On Simple Human Decency.” Metcalf takes over from Lewis Lapham, who has edited Harper’s for eons. His question for us is this: “Am I allowed to write that I would like to hunt down [deleted to keep Walnut from getting kidnapped and sent to an Eastern European torture camp] and kill him with my bare hands?”
He takes this question through some amazing and hilarious permutations. I don’t think Chimpy’s handlers will let him read this one any time soon.
On one level, this editorial works as satire, but Metcalf also has intelligent things to say about the law which forbids people to speak or write any threats against the president. But the essay flabbergasted me. I couldn’t help but think, “This guy has grapefruit-sized balls, writing this thing!” Which is why he’s featured here on Balls and Walnuts, naturally.
D.
Received: two thin letters, both SASEs, both rejections*. I have a third query floating out there in query-space, but it’s addressed to a Big Name. Fat chance.
On the other hand, I made it into a Big Name med school after getting rejected by nine others. To be more precise, Big Name School of Medicine wait-listed me for a few months, then tapped me late in the summer of ’90.
I nearly missed out on a future full of boogery.
Question to my author-readers: do your agents represent science fiction? And, if they do, how would you feel about putting in a kind word for me?
Figure on me being a total noodge for a while.
D.
*Neither were form letters, and both were kind. But one of ’em, it was clear this fellow hadn’t even looked at the chapters — not with any care, anyway, since he got the manuscript title wrong.
Let’s get one thing straight right from the start. The villain of The Da Vinci Code is NOT albino, dammit. He’s leucistic. Look at his eyes — they’re blue, not pink. Trust me on this. So you albino rights groups can chill out right now.
(Edited to add: okay, according to Karen, I effed up on this one. Turns out albinism is a complex condition with more than one possible genetic basis. Some folks with this condition have red eyes, but many have light blue eyes. My bad. I’m sympathetic to the albinos, by the way. It’s stupid — no, worse than that, it’s lazy writing — to use color as code for evil. So stop it, Hollywood, stop it right now!)
But you’re not here for a biology lecture, are you? You want the dish on The DVC. It’s below the cut.

Crooks and Liars has the video.
Anyone who studies humor, who is interested in the question, What makes a joke work? should watch this animated short. Robert Smigel and Matt O’Brien take a simple sight gag and run it through increasingly absurd variations. Same idea as The Aristocrats, but without the reliance on pornographic/potty humor (not that I object to potty humor). No, this short works thanks to (A) the clever use of surprise, and (B) an understanding of the symbolic value of its images. Watch it, and you’ll understand what I mean by (B).
I don’t want to ruin it for you.
D.
. . . is Toni Morrison’s Beloved.
From the New York Times:
Early this year, the Book Review’s editor, Sam Tanenhaus, sent out a short letter to a couple of hundred prominent writers, critics, editors and other literary sages, asking them to please identify “the single best work of American fiction published in the last 25 years.” [Read A. O. Scott’s essay. See a list of the judges.] Following are the results.
I find it a little mortifying that I own only one of these (Updike’s Rabbit series, of which I could tolerate only the first two or three pages). I made it through half of A Confederacy of Dunces — ultimately, I grew tired of the protagonist. I’ve been tempted by Roth’s The Plot Against America. As an alternate history, it rubs shoulders with SF.
I guess I shouldn’t be too surprised; I’m a genre guy. SF, fantasy, humor, hardboiled float my boat, while ‘serious’ fiction usually puts me to sleep.
Question: will any of you vouch for any one of these books? (Linked above.)
D.
I’ve started and stopped this four times now. Kate’s right — I am off my game.
It cheers me to think that my son is better than I am. He lacks the depressive streak. He also lacks the self-esteem problem . . . for good or ill. Low self-esteem is a tremendous motivator. I often wonder how folks with high self-esteem manage to accomplish anything in life. Don’t they wake up and lie there in bed all day long, delighted with themselves?
Below the cut: Proof that my son is better than I am.