{"id":4487,"date":"2010-04-24T16:57:59","date_gmt":"2010-04-25T00:57:59","guid":{"rendered":"http:\/\/ballsandwalnuts.com\/?p=4487"},"modified":"2010-04-24T17:03:02","modified_gmt":"2010-04-25T01:03:02","slug":"wealthy-as-croesus","status":"publish","type":"post","link":"https:\/\/ballsandwalnuts.com\/?p=4487","title":{"rendered":"Wealthy as Croesus"},"content":{"rendered":"<p>Just got done watching <em>The Family Man<\/em>, a 2000 film from Nicholas Cage&#8217;s production company, Saturn Films. Cage is (for me, anyway) mesmerizing as usual, so an otherwise bland and predictable plot didn&#8217;t manage to drag down the movie. <em>The Family Man<\/em> is basically a latter day <em>It&#8217;s A Wonderful Life<\/em>, with Cage in the George Bailey role, Don Cheadle as the angel Clarence. Granted, it&#8217;s an inverse <em>Wonderful Life<\/em>, since Jack Campbell&#8217;s (the Cage character&#8217;s) real life is sucky, and the imaginary one is divine.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/ballsandwalnuts.com\/wp-content\/uploads\/2010\/04\/cage_leoni-300x216.jpg\" alt=\"cage_leoni\" title=\"cage_leoni\" align=\"right\" hspace=\"15\" vspace=\"10\"\/>The movie is a paean to the simple pleasures. What good is wealth if you&#8217;re alone, and aren&#8217;t the joys of a loving wife and two great kids ample recompense for a top job on Wall Street, a hot car, and a high-rent Manhattan condo? <\/p>\n<p>Is it possible to give spoilers on a ten-year-old movie? If so, you&#8217;ve been warned. Once Jack gets enough of a taste of life with Kate &#038; the kids to know this life is superior to the real one, Don Cheadle (another actor with riveting stage presence, btw) reappears and Jack knows the jig is up, he&#8217;s been given his &#8220;glimpse&#8221; of an alternate life, and now it&#8217;s back to Wall Street for him. But the old life is empty and he wants Kate, who in this universe he left over a decade ago, dumped really, and she&#8217;s long since gotten over him and moved on. No husband or boyfriend conveniently enough, but she does have a box of old boyfriend Jack&#8217;s stuff which she wants to unload on him before moving to Paris.<\/p>\n<p>He tries to make headway with her, but she is over him, I mean really OVER him, and all the soulful looks in the world won&#8217;t penetrate. Paraphrasing here, &#8220;Yeah, you broke my heart once, Jack, but that was a long time ago, and I&#8217;ve moved on.&#8221; He begs her not to get on the plane but she blows him off. It&#8217;s all very moving, and if she had gotten on the plane, and if perhaps we could then see Jack striking up a conversation <em>with someone new<\/em>, this would have been a great movie. Think about it: there&#8217;s the tragedy of what he has lost, but at least he&#8217;s learned enough that maybe there&#8217;s hope for him yet. Not a Happily Ever After, but honest, because in real life you can&#8217;t go home again, but you can make a new home elsewhere.<\/p>\n<p>This movie? Nuh-uh, not honest. Kate&#8217;s in the boarding line and Jack starts yelling about how they have a house in Jersey, and two kids, and how they still love each other after all these years, and how she won&#8217;t even let him touch her unless he tells her he loves her, and how their daughter can&#8217;t play violin very well but is precocious nonetheless, yatta yatta yatta . . .<\/p>\n<p>Bad turn by the screenwriter, because I don&#8217;t care past relationship together or no, this woman who hasn&#8217;t heard from this guy in what, 15 years, she&#8217;s gonna be thinking, <em>Crazy. Stalkerish crazy.<\/em> And she&#8217;s gonna be calling security if he takes one more step towards her. Instead, she has coffee with him. Role credits.<\/p>\n<p>The irony here is that Nicholas Cage the real life dude makes Jack Campbell look like a burger-slinger. He owns his own production company, <a href=\"http:\/\/en.wikipedia.org\/wiki\/Saturn_Films\" target=\"_blank\">Saturn Films<\/a>, which has been turning out some big movies since 2000, including <em>National Treasure<\/em>. <a href=\"http:\/\/en.wikipedia.org\/wiki\/Nicolas_Cage#Real_estate_and_tax_problems\" target=\"_blank\">Cage<\/a> is on his third marriage, and at one point owned 15 homes (including an island near Nassau and a 24,000 square foot home in Rhode Island), a &#8220;flotilla of yachts . . . [and] a squadron of Rolls Royces,&#8221; as well as lots of odd purchases of jewelry, art, and a big fossilized dinosaur head, for which he overbid Leo DiCaprio.<\/p>\n<p>No one can accuse Cage of making nothing but HEA movies (<em>Bangkok Dangerous<\/em> and <em>Knowing<\/em>, to name two, had downbeat endings), so perhaps he can be forgiven for making one film with a sentimental ending. But it seems to me that if anyone understood how <em>The Family Man<\/em> should have ended, it would have been Nicholas Cage.<\/p>\n<p>D.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Just got done watching The Family Man, a 2000 film from Nicholas Cage&#8217;s production company, Saturn Films. Cage is (for me, anyway) mesmerizing as usual, so an otherwise bland and predictable plot didn&#8217;t manage to drag down the movie. The Family Man is basically a latter day It&#8217;s A Wonderful Life, with Cage in the&hellip; <a class=\"continue\" href=\"https:\/\/ballsandwalnuts.com\/?p=4487\">Continue Reading Wealthy as Croesus<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,5],"tags":[],"class_list":["post-4487","post","type-post","status-publish","format-standard","hentry","category-at-the-movies","category-stardust","radius"],"_links":{"self":[{"href":"https:\/\/ballsandwalnuts.com\/index.php?rest_route=\/wp\/v2\/posts\/4487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ballsandwalnuts.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ballsandwalnuts.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ballsandwalnuts.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ballsandwalnuts.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4487"}],"version-history":[{"count":4,"href":"https:\/\/ballsandwalnuts.com\/index.php?rest_route=\/wp\/v2\/posts\/4487\/revisions"}],"predecessor-version":[{"id":4492,"href":"https:\/\/ballsandwalnuts.com\/index.php?rest_route=\/wp\/v2\/posts\/4487\/revisions\/4492"}],"wp:attachment":[{"href":"https:\/\/ballsandwalnuts.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4487"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ballsandwalnuts.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4487"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ballsandwalnuts.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}